6/
20

DEAR DONALD
Installation of ink-dipped newspapers hanging loosely over a rod

8/
22

WHAT SYSTEM I
Installation with multi-coloured newspaper tubes

WHAT SYSTEM II
Installation with multi-coloured newspaper tubes

THE ATLANTA SERIES
File folders of the Atlanta brand, coloured with gouache

4/
21

CROSSWORK I

Handbook of colour, based on a fresco cycle

10/
21

CROSSWORK II

An ever-changing field of coloured boxes in which the visitor can participate

5/
22

CROSSWORK IV

One day event at the monastery complex Hoogcruts

10/
22

CROSSWORK V

Small architectural objects in various arrangements

9/
23

CROSSWORK VI

Small prints of a cardboard installation in the studio

8/
23

CROSSWORK VII

Second, minimal version of the handbook from Crosswork I

SPECIES

Secret gardens, created during the process of Crosswork VII

9/
23

THE CARBON SERIES

Transparent packing material of carbon paper

12/
23
W HOLE
Colour fields with holes, belonging to an unknown larger whole

9/
20
JUST WHISTLE
No explanation needed

11/
21
UNTITLED (for Etel Adnan)
Installation made as a tribute to Etel Adnan


Mark

Crosswork I




April 2021
Paper, gouache

This work is part of The Crossworks, an ongoing series of projects that have emerged from each other since 2021. The works have no definitive state nor form; they are always in transition. The interrelationship of color, matter, light and space is explored in this series. They are based on the fresco cycle “The History of the True Cross” by Piero della Francesca (± 1460; Arezzo, Italy).

Crosswork I originated from a study of the use of color in the fresco cycle. The matte character of the gouache enables the colors to contain as much of the natural light as possible. 
In the end this resulted in a work of 100 A3 sheets, each containing four colored fields. These sheets, containing a total of 400 different colors, serve as a handbook for all subsequent projects of The Crossworks. The individual sheets can also be shown as an independent work in different arrangements each time, depending on the space and the situation.



Mark